  It is not often that foreign bands have the special opportunity to perform in America. Luckily, Japanese-rock duo VAMPS are successful enough to tour outside of their home country. VAMPS include vocalist and rhythm guitarist Hyde, who is a member of the popular rock quartet, L’arc En Ciel, and lead guitarist K.A.Z, who plays in the band Oblivion Dust. Earlier this year, the group toured with Sixx:A.M. in the United States, boosting their popularity and the demand for more shows in the country. Following these concerts, VAMPS went to perform in Latin America during September along with two more performances in the U.S., one in West Hollywood, the other in San Francisco. It would be the band’s first headliner show in almost two years. On October 5, fans were excitedly waiting for VAMPS to rock the Roxy Theatre in Hollywood. At last, the clock struck 8:00, the current music halted, and the venue began playing “Bite,” the band’s haunting yet stimulating intro song for the show. Lights flashed from red to white as the members of VAMPS and their support members entered the stage. The first to appear was the drummer, Arimatsu. He smiled and waved to the screaming crowd before sitting down to play. The next to arrive on stage were bassist Ju-Ken and Jin on keyboard. K.A.Z. walked out from the side of the stage to grab his guitar. Last but not least, Hyde appeared with his guitar in his arms and stood on a platform, gazing at the crowd.
 “World’s End” was the first song that VAMPS performed. It served as an energetic start to the show. Fans cheered, waved their arms and jumped practically through every song. At the same time, several people in the audience took photos and videos of the group. However, because of the permission to use their cameras, some individuals were seen texting on their phones rather than being absorbed in the performance. Nonetheless, the active fans were closely connected with the members of VAMPS; there was no pit between the stage and audience, allowing the two groups to enjoy each other’s presence. The setlist contained songs from all of VAMPS’ albums, a majority of them being from their recent album, Bloodsuckers, released in 2014. A cover of Mötley Crüe’s “Live Wire” and “Midnight Celebration” from Hyde’s solo work were also played. With the setlist varying from heavy, upbeat tunes to melodious ballads, the band succeeded to keep the crowd entertained. After “Evil,” purple lights put Jin in the spotlight as he performed a mellow intro to the ballad “Vampire’s Love.” Following this, the band paused from playing and Hyde spoke to the fans. He yelled, “I’m so excited to see you again! Are you excited too? How bad do you want us? Let’s enjoy together!” VAMPS played five more songs before exiting the stage. In response, the audience began chanting the opening lyrics to “Revolution II,” calling for an encore. In just a few moments, the band members appeared once more to play the beloved song. Halfway through the thrilling anthem, Hyde held up a black flag with a skull and the label “VAMPS” under it. The vocalist waved the flag in pace with the song as fans sang along and swayed their arms.  As the encore continued with three more tracks, Ju-Ken threw guitar picks and water bottles toward the entranced fans. K.A.Z. became more lively, as he showed off his instrument to the fans and accompanied the fellow bassist in playing face-to-face near Arimatsu. The two also took part in giving handshakes to their audience and motioning them to keep their energy for the rest of the concert. “Sex, Blood, Rock’n Roll” gathered up the intense spirit of nearly the entire crowd for a grand finale. The band did not hesitate to release their joyful emotions with the exhilarating song. Synchronized singing and dancing created an air of pure enthusiasm that would be forever captured in the minds of those who had the special occasion of seeing VAMPS live. When the song faded in hints to that of the concert finally at its end, Hyde bid his goodbyes, claiming, “I will be back L.A.! Thank you very much!” Meanwhile, Ju-Ken and K.A.Z. did their last set of throwing souvenirs to their beloved fans, then finally followed Arimatsu and Jin backstage. The music grew dim with lights flashing various colors until it settled into darkness, marking the end of the performance. The audience wailed their final cheers of gratitude, for VAMPS put on a truly outstanding show. This powerful band is not one to miss next time they return to America. -Claudia (Natsumi)  A-To-J Connections was lucky enough to catch Salems Lott before their show opening for Loudness at the world-famous Whisky A Go Go. The show was completely sold out and the band had the crowd more than a little hyped up after their thunderous set. Are you ready for Lust, Blood, Violence and Raw Energy? Then Salems Lott is the band for you! Hailing from Hollywood, Salems Lott is bringing shock metal to you in a way you have never seen! From blistering shows that have seen them banned from the world-famous Viper Room, to opening to legends like Marty Friedman and Loudness, Salems Lott is a band you want to keep an eye on! A-To-J: Hello! Thanks for your time with this interview. Can we start with your introductions? Jett: We’re Salems Lott. I’m Jett I play Lead Guitar Kay: I’m Kay. I play Lead Bass. Monroe: I’m Monroe. Lead Vocals and Lead Guitar Tony: I'm Tony F Corpse, double bass drum extraordinaire. A-To-J: Can you describe Salems Lott’s sound to someone who has never heard it before? Monroe: It’s an amalgamation of our influences. I guess it’s basically a mix of hard rock, heavy metal, and speed metal with some classical influences thrown in as well. Jett: Aggressive metal with hard rock but still melodic at the same time. We still have that melodic approach. There isn’t any Cookie Monster style stuff. There’s actual singing and it’s fast paced. We’re just mixing everything we like and pushing it forward. A-To-J: Who are some of your favorite artists that inspire you? Monroe: Man, there’s a lot. I really hate talking about my influences because I always forget like one guy. It ranges from bands like… Monroe & Jett: Ratt, Accept, Wasp, Alice Cooper, King Diamond, KISS. Monroe: All those guys. I guess we’re taking what they did and are putting our own spin it, our own style. A lot of people view it as nostalgia, but that’s not our intent whatsoever. We’re adding our own spin and pushing the genre forward. Jett: As well, we like some of the early Japanese aggressive bands that really were kind of similar to Motley Crue and Ratt, but gave it more aggression; we like some of those bands as well. We like Loudness of course and EZO. There’s tons of bands we like; we don’t discriminate. We go from heavy to melodic, even the super poppy ones. We don’t care. Monroe: Heck, some of listen to the most extreme forms of metal all the way to country and pop to blues to classical and jazz. It’s just music, if it sounds good then it’s good. I don’t really care about genres.
A-To-J: So would you guys consider yourselves a genre-less band? Monroe: You know what in all honestly a lot of bands talk about genres and stuff like that, but a lot of bands don’t won’t to be placed in one because it places you in a corner. Then right away it’s like: “Bam! You’re this genre, you can’t do anything else.” It’s the truth. Jett: You get pigeonholed. People look at us and they expect a certain sound, but we don’t really sound how we look. I think a lot of people right now are trying to fit perfectly into these pre-existing genres. It’s like: “I have to be this genre so I have to look this way, sound this way, play this way.” Monroe: If I’m a thrash metal band I have to grow a beard, get a gut, and look like a hobo. If I’m a glam band I have to play Posion-style poppy stuff and have lipstick. Jett: Exactly. So why not look glam as fuck and play really fucking heavy. It’ll have people thrown off like: “Whoa! That’s not what I’m expecting.” That’s how you do something, I hate to say “new”, but in sense that’s how you do something new. “New” is subjective, but yeah. We can be called a rip off of like a bunch of bands, but if we’re a rip off of ten bands, then we’re a new band. A-To-J: What can you tell us about your choice of name? Jett: We’re really big history buffs. A lot of people think it’s based off the Stephen King book or movie, but it’s not. It’s just based off the Salem witch trials. So if you look at the Stephen King novel or movie there is an apostrophe before the “s” because it’s short for “Jerusalem’s Lot”. So it’s was a marketing thing to call it “Salem’s Lot” to shorten it because it sounded better to audiences. So for us we just wanted to call it “Salems Lott”. It’s not supposed to be “Jerusalem’s Lot”, it’s not supposed to be a tribute to Stephen King; we’re just big history buffs of the Salem Witch Trials. It’s a group of freaks that are not necessarily from Salem, but we have that same sort of psycho mentality of burning witches and crazy shit like that. It just sort of fit in that way. It sounded cool too. A-To-J: Can you tell us something about Salems Lott’s songwriting process? Monroe: As it stands Jet and I pretty much write all of the songs and then the other guys come in and contribute as well. We bring it into rehearsal and everyone puts their spin on it and throws in their own styles and influences. That’s basically what makes us unique because everyone in the band listens to music of all types. It gives a very weird mixture and a very unique sound that I feel hasn’t been done before. Jett: Yeah, for example, Kay. He listens to everything from Morbid all the way to Vinnie Vincent, it’s completely different. People wouldn’t expect that, it’s either one or the other for a lot of them. So that’s kind of like how all of us are in this band. Every guy, Kay, Tony, me, Monroe, we all kind of bring in our own unique thing and the sound shifts. As we move forward every member puts in his own input into the songs. Basically we like to keep it heavy, aggressive, and fast, but also melodic. We really like to stress melody, because that’s the most important thing to me in a song, is melody. We’re not afraid to go poppy and we’re not afraid to go super heavy. We just don’t like to do what people expect or what was done before. It’s just how we feel.
A-To-J: Can you tell us how Salems Lott formed? Monroe: Yeah, I can. Basically I found Tony online. I put an ad out for a crazy drummer somebody who was a little off the deep end. Someone would have to be crazy to be doing what we’re doing now and have a unique vision and style while not being scared to push limits and not play within a certain mind frame, or a certain box. After I found Tony I was jamming with him for a few months and Jet came over. I knew Jett for a very long time. We had jammed before in previous bands and we had both done studio work for other bands and other albums. He’s a great guitar player and a great addition to the band. He’s also a great songwriter. Then I found Kay through a connection at the Musician’s Institute. I don’t know if people in Japan know what the Musician’s Institute is, or if there is one in Japan, but it’s a school where Paul Gilbert and a lot of great guitar players came from. I brought him over because he was a guy who could play his instrument and didn’t give a shit. He was into the band and we hit it off right away like in our first rehearsal. He came to our shithole house, the “ant farm” as we called it, with ants crawling on the walls and stuff. We jammed and we all kind of had the same vision. Jett: Plus you don’t run into guys who know who Seduce is or who Icon is and other bands like that. So when Kay came in we both started talking about these obscure bands that no one knows. It was like: “Oh shit! You know them!?” “Yeah! Holy crap, you know them too!?” because you don’t see that anymore because no one really knows those bands to be honest. It just clicked because we all wanted to do the cool, crazy image, but fast and heavy and change up how the image is supposed to be portrayed. Kay: Yeah, I was glad to make him talk. We were talking about Seduce and I was like “Oh shit!” it’s the same style that I like. So that’s why I’m here. A-To-J: Can you tell us something about the theme of your self-titled debut EP? Jett: I don’t think there’s really an underlying theme. It’s more of a philosophy instead of themes. Monroe: Yeah, we write about our philosophies. Thing we’ve experienced and how we feel about them. It’s a philosophy about being truthful and letting out your anger and honesty and that’s pretty much it. I mean there’s not really a typical theme it’s just pure honesty wrapped out in a pissed off package. Jett: Yeah. It’s just being out there, not giving a shit, doing whatever you want to do not being afraid of pretensions, genres, whatever people may think of you, or preconceived notions, it’s just completely out there. There’s no other way to say it. It’s not trying to be pretentious or super deep, but at the same time it’s not just fluff and stupid. It’s a ballsy record. It’s what we wanted to do and that’s how it came out. Organic and natural. A-To-J: Do you have a favorite song from the album? Monroe: They’re all unique in their own way and I can’t choose one personally Jett: Yeah, I don’t really have a favorite. It shifts for me from time to time. Kay, what do you think? Kay: I recommend that you listen to “S.S” (Sonic Shock) A-To-J: You guys have amassed a huge following locally and have opened for some big groups and have filled some nice venues. Do you think your sound is one that can be marketable worldwide? Monroe: I think anything is marketable you just have to throw it out there with enough advertising and promotion behind it. Nowadays there are so many bands and so many artists. Personally, in my view, some of them have no business being in the music industry, they can’t even play their instruments. Some of these guys with beards, playing three chords, think they’re all deep and thoughtful, but no they’re not. They suck. Jett: Sorry, letting out some anger. Monroe: No, I’m sorry, but I’m saying the blunt truth. People who spent hours and years practicing their instruments and crafting songs, that’s the most important thing: crafting songs, can be crazy on their instruments and get the shaft. In all honesty I think anything can be marketable, it’s all in how you advertise it. You can advertise a pile of crap as the next cool thing and people will get into it. Jett: Yeah for God’s sake look at a lot of the rap artists today. I don’t want to be the stereotypical person who rags on rap artists, but there are a lot of them nowadays who really just are just bad. We’re just doing our own thing. There are some bands that can’t play their stuff live even. Everyone is just concerned with fitting into their sub-genres and everything is very tame. We just want to be the complete opposite. I think that’s what rock and roll needs: people rebelling and doing the complete opposite of what everyone is used to. That’s just rock and roll and heavy metal is to me, rebelling against the current trends. It’s trendy to be safe and tame and everyone is afraid to be made fun of. If you’re not made fun of how in the hell will you ever respected?
A-To-J: What are you plans for the next year? Monroe: Play as many gigs as possible. Get the band’s name out there as much as possible. We’d like to go on tour, but that’s something that needs to be funded. We also want to attack the online market. The music industry is just so different than what it was ten years ago let alone thirty years ago. Yeah, we have a lot of plans. A-To-J: Where can people go to find out more about you? Monroe: Pretty much our Facebook page and our website. (salemslott.com) We also have a twitter and all that stuff. Jet: Yeah we’re on Twitter, Instagram and Youtube. Go to Youtube there is going to be a lot of interesting stuff on there soon. A-To-J: Do you have any closing words for your fans? Monroe: Thank you! Jett: Thank you! Tony: Sorry I wasn’t too vocal in the interview! Jett: Rock on and keep supporting Salems Lott! Monroe: Keep buying CDs! Kay: I would be happy if I got into Burrn! Magazine! (In Japanese) Salems Lott Is: Monroe Black: Lead Vocals, Lead Guitar Jett Black: Lead Guitar, Vocals Kay: Lead Bass, Vocals Tony F. Corpse: Drums, Vocals For more information on Salems Lott: Website: salemslott.com Facebook: facebook.com/salemslottband Youtube: youtube.com/user/salemslottofficial Twitter: twitter.com/SalemsLottBand Instagram: instagram.com/salemslottband S. S. (Sonic Shock) No Choice To Love  Well-known Japanese Rock Band "Dir en grey" will have a live at the Mayan Theater on November 5th 2015. The band has also collaborated with the Japanesque Shibuya Fashion store XENON to provide exclusive merchandise for all the fans! Check the website with the link below and see what they have in store for you all! Remember to click Brand - > Deadly Claris for even more Dir En Grey merchandise as well! Xenon x Dir En Grey Collab Merchandise:http://xenon-la.com/dir-en-grey-limited-2015/  Recently guitarist, Kaoru (Of popular Japanese Visual Kei band Dir en grey) admitted that he has lost some degree of feeling in his right hand. In a recent Kotaku interview he stated that since 2014 he has had several problems while performing notably dropping his guitar pick frequently and experiencing general discomfort and lack of feeling in his right hand. More alarming was the fact that it steadily got worst as time went on. Within the interview he also states that he has seen multiple doctors on different occasions and that the apparent cause is from loose ligaments connecting joints which in turn is causing the paralysis. The doctors' diagnosis was that this was something that would heal on its own in time though Kaoru has stated though that the symptoms have not changed. North America fans of Kaoru and Dir en grey who have heard of this are understandably worried as Dir en grey is currently actively touring with a show in Los Angeles in less than two weeks. While there has been no real talk of cancelled shows, appearances or events it is natural to assume that something of that sort might be on the horizon given the severity of the situation. While the possibility of cancellation is low, fans must wonder if this will in any way affect their on-stage presence or performance. The fact that Kaoru has hid this for a year might help to alleviate the fears of affected performances as they have not showed any signs of slowing down recently. Besides concerts, Kaoru is scheduled hold an event at Shibuya's Tower Records for his upcoming book "Dokugen". We will update on this situation if any news reaches us.
For more information click the source link below. Til next time. - Hikaru Source Article On Oct. 12, 2015 steadily-rising Japanese Visual-kei rock band MEJIBRAY released their new MV and it's a sight to see! Starting the MV is the lead singer, Tsuzuku, walking down a hallway smoking a pipe along with two men with bags on their heads knocking on a door. Now this sounds like it is straight out of a horror movie but I promise this MV isn't as creepy as it sounds. As the song starts Tsuzuku gives his creepy smile that everybody loves to see. The video continues and we see the rest of the band wearing some new clothes!
Tsuzuku, the Vocalist. Going with the usual black attire with very big hair, he is wearing a fur jacket and some new makeup. Mia, the Guitarist, is wearing clothing that reminds one of a prince-like character. He's also sporting a jeweled crown with a very stylish studded jacket. This guitarist yet again blows people away with his looks at every chance. Koichi, the Bass player, is wearing what resembles a jumpsuit. Putting on a regular black eye patch along with some stunning shoes this pink haired bass player makes all the fans go nuts! I originally did think he was wearing pajamas when I first saw the MV. Who can forget the well-loved drummer METO! Meto amazes people with not only his antics but also in his cute and hardcore crazy styles. He wears a mask over his mouth with a tongue sticking out with, guess what, the number 3 on it. Wearing bondage bands with variations of both spikes and chains his tattoos make it quite a sight to see. His bear, Luana/Ruana, imitating his mask puts them both at the top of the fashion spectrum.  As the MV ends we see Tsuzuku standing by a pool and laughing hard. Then the rest of the band members come and push him into the pool. Thanks for your time guys please do not forget to check links at the bottom and support all the bands we here at A-To-J write about. Been nice I'm out! - Hikaru Mejibray Official Youtube Channel: https://www.youtube.com/channel/UCTxeoEmLjgaQ69DHtJR0EBw
MiA states: "This month in Cure Magazine high brand from L.A RiRiAN has been unveiled!" WHOOOO!
For those who do not know, back in May Japanese fashion brand, RiRiAN, was released in America for the first time. With the launch, two of the models for the brand were members of the popular band Mejibray. Both the vocalist, Tsuzuku and the guitarist, MiA were involved in the launch campaign. I can't lie after seeing the whole catalog of RiRiAN and seeing the clothes in person, RiRiAN has good quality and stylish looks! Don't forget to check links below for more info on the topic. MiA Article (Source): ameblo.jp/mejibray-mia/entry-12044783651.html XENON RiRiAN Webshop: xenon-la.com/brand/new-category-1/  XENON, Nameless needs your help! Click the link below to fill out a short survey we came up with for merchandise of bands you, the customers and fans, would like for us to bring to our store! XENON is also having a BeyondMAX! fair on their Webshop so be sure to click the link! The BeyondMAX! fair includes Fest Vainqueur and DaizyStripper! Buy any merchandise from the fair and any clothing from the webshop, outside of the fair, and receive a free random DaizyStripper polaroid chekki! XENON Survey Link HERE XENON Official Webshop Link: http://xenon-la.com/beyond-max-fair/  XENON is also having a Timed-Sale for only ONE DAY!
The sale includes Ghost of Harlem Spring/Summer collection. As we step closer into Autumn/Winter collection please await the Ghost of Harlem collection to arrive at our clothing store in DTLA. Click the link below followed NEWS for the code for your discount and how you can get some of your favorite Japanese clothes! XENON News Link HERE Thanks again for your time guys til next time! -Hikaru Recently, in Kanagawa, Japan popular Visual Kei band "the GAZETTE" hosted a live that should have been like any other on their tour. Much to the dismay of the band, and the fans, those that attended got more than they expected. During the live an unidentified foreign fan bit a Japanese fan over a water bottle which the vocalist, Ruki, had throen into the crowd. Now I have not been to many concerts myself but I can imagine as soon as someone throws something like a personally used water bottle all hell breaks loose. The part that truly disturbs everyone and causes this to make national headlines is the fact that it was a foreign fan who bit a Japanese fan. For a water bottle no less! Now does the fact that it was a foreign fan make it okay?  OF COURSE NOT! It probably makes it must worse actually. All the band members have stated on their twitter accounts that they wish what happened at the end of the show never occurred at all. They also stated that it was a very enjoyable live until the incident.
Now, why is this topic so important and flying all over place like an out-of-control airplane? The reason is that everybody is worried the GAZETTE will limit their overseas live concerts. Now me personally I feel that they shouldn’t just because of one foreign fan. The foreign fan's country of origin is currently unknown, but I'm sure that information will eventually come to be known. Many people, myself included, are hoping the band's management does not limit their overseas lives due to the very high demand, as well as the high amount of GAZETTE fans, in each country. Hopefully this blows over and they continue to tour overseas but only time will tell guys. Til next time! -Hikaru Source: Visual Ioner  Kaya returns to Pacific Media Expo (PMX) for the first US performance of his new band Femme Fatale! A change of look, style, and sound for Kaya go hand-in-hand with the changes that PMX has embarked on this year too! PMX has largely called the LAX Hilton for the past several years (with one brief stint at the Pasadena Hilton), but this year they moved to the Pasadena Convention Center and also changed their date (traditionally Veteran's Day Weekend) to Labor Day weekend even changing their three-day schedule to include the Monday holiday as well! Keeping these changes in mind, Femme Fatale's concert took place on Day One (Saturday), before their panel and autograph session which took place the following day. It is the view of this author that concerts should always come after these type of events so that casual attendees can perhaps get to know the group and feel the need to attend their concert as these are indeed quite rare occurrences for many of these bands to be playing such a relatively intimate show in the US. Kaya's name does carry some weight though and he has performed at several events in the US prior to the formation of Femme Fatale. Femme Fatale having come off a string of amazing releases were sure to bring an amazing experience to PMX for those who filled the Pasadena Convention Center's Ballroom that night.
Femme Fatale took to the stage amidst some unfortunate sound problems, but the band made the most of it by jumping right into "Freya" and not looking back from there. Technical issues aside, the band was in good form and there was a lot of chemistry between the members that was quite refreshing and amusing to see. I will admit that I came into the show largely a fan of Kaya, not familiar with any of the other members of Femme Fatale, but after a couple songs I realized that this band had many powerful figures both in terms of musical ability and personality. Iori quickly became a favorite of mine and it was clear from some of the cheers thrown in his direction that he was an audience favorite as well. Speaking of audience, the crowd was somewhat smaller than I remember seeing for Kaya's 2008 PMX concert, but they were no less enthusiastic for the show. This smaller audience was most likely due to the aforementioned changes in location and date of the convention. That didn't stop everyone from having a good time though and audience interaction was at a high as Kaya and band called for more enthusiastic movements which the audience was more than happy to give them. The MCs were a highlight as well as the band moved around naturally and spoke to the audience in a way that belied the fact that they were one of the rising bands in the Japanese visual kei scene.  Iori's take on the Star-Spangled Banner was an unforeseen surprise and while it was arguably out of place for the show, it won over the crowd and was an otherwise interesting interlude. Even though the start of the concert had issues with sound, these were thankfully solved before the middle of the concert. While the entire concert was an amazing experience, standout performances of "Salome" and "Voyage" stuck out in mind, the former being one of the best vocal performances I've seen in recent memory. The closer of the show "Judgement -The Die Has Been Cast-" is a personal favorite of mine and I was beginning to worry that it was somehow going to be left off the setlist. Thankfully this was not the case and the band closed their set with a bang! Following some closing messages, including one where bassist Toshi very nearly gave out his hotel information, we were treated an encore performance of "Grim Reaper" which would be their true final song of the night. Following the concert fans immediately lined up for the autograph session which unfortunately was going very behind schedule at this point. Among the many awesome goods for the band they were selling their limited single "Kodou" which previously was a live-only release. Whether the fans were aware of this fact or not, it quickly sold out.
An amazing performance and a receptive crowd all but ensures that this won't be the last time we see Femme Fatale in the US!
-Manuel (alavic_222) Set List 1. Freya 2. Jester 3. Mephistopheles 4. Akai Hana 5. Faust 6. Kurumeku Taiyou 7. Digitalis 8. Kodou 9. Voyage 10. L’oiseau Bleu 11. Burn 12. the Fatal Day 13. Stardust 14. Crimson Nail 15. BABEL 16. Medeia 17. Salome 18. Judgement -The Die Has Been Cast- Encore 19. Grim Reaper Femme Fatale Is: Kaya: Vocals TaNa: Guitar Iori: Guitar Toshi: Bass Fumi: Support Drums For More On Femme Fatale Website: http://femme-fatale.jp/ Twitter: https://twitter.com/info_femme  Coming soon, during the first week of September, XENON opens its doors to its national web store! You will be able to shop XENON's wide selection of clothing straight from Japan and get these items shipped to you anywhere in the USA! Join us and shop for your favorite fashion brands! This launch will only offer XENON's wide selection of clothing, but hopes to expand in time! If you haven’t already give the store a like and follow from the links below. Web store opens on September 1st 2015.
Til next time this is Hikaru. XENON Official Facebook: https://www.facebook.com/xenonshibuyastyle?fref=ts XENON Shibuya Official Facebook: https://www.facebook.com/profile.php?id=100007683409281&fref=t XENON Instagram: https://instagram.com/xenon.la/ |
Search
Contributors◆ Badman
◆ Emily ◆ Janette ◆ Manuel ◆ Megan ◆ Rose ◆ Rubi ◆ Sylvia ◆ Tiffany Support Us On Patreon!
Archives
August 2024
|
RSS Feed
© 2014-2024 A-to-J Connections. All Rights Reserved.