If you have followed AKB48, their sister groups, and/or Nogizaka46, you know that several members have their own photobooks. The photobooks consists of several photos of the idol featured, in all sorts of backgrounds and outfits, from the sleek shots in the evening to a day at the beach in a bikini. Members such as Watanabe Miyuki, Kuramochi Asuka, Yokoyama Yui, Miyazaki Miho and Minegishi Minami all have their own photobooks. There are also a few members who have more than one photobook, such as Kojima Haruna, Sashihara Rino and Miyazawa Sae. Because of the recent flurry of photobooks released the past two months (releases from Yokoyama Yui, Kizaki Yuria, Nishino Nanase, Shiraishi Mai, Miyazawa Sae, Yamamoto Sayaka, and later Kojima Haruna), I decided to take a look at two photobooks I recently purchased of two of them: Nishino Nanase and Kizaki Yuria. Basically I am going to describe them as best as I can without showing any actual pictures (if I show you pictures other than the cover photo, that’s technically spoiling the experience!). I am doing this in order to warrant whether or not the photobook is worth a purchase at CDJapan, Amazon Japan or your local Kinokuniya bookstore. The first book I’m going to take a look at is Nishino Nanase’s very first photobook, Fudangi. Nishino Nanase is the 3rd member of Nogizaka46 who has her own photobook released, with the other two being Shiraishi Mai and (technically) Matsui Rena. Will Nanase’s photobook experience rival that of Maiyan’s? The first few shots seem like you are hanging out with Nanase on a date or what not, from walking around the city to sitting and reading manga. Some of these have grey lighting while the glare of the sun provides a more intimate effect. Some shots need two pages to use while others, for some reason, use less than half the page per shot. Case in point with the bikini shots (yes there are some). A few of them are shots that take less than half the page to cover. Given how rare the bikini gravure shots are (we ARE talking about Nogizaka46 here; they’re known for conservative gravure), it’s a bit of a disappointment how half of the already few bikini shots take up less than half a page. There are some shots here that have just the right amount of swimsuit gravure: not too conservative yet not too revealing. A few shots are of Nanase in a playground where she is technically wearing a shirt over her bikini. For some odd reason, I really like these shots. It feels like you are hanging out with Nanase in a park only a few steps away from the beach. Possibly the most fanservice-based shot of the entire photobook is of Nanase lying on the beach in a blue bikini. This takes up two pages to do, and shows a level of sex appeal that only comes with swimsuit gravure photos. But the bikini gravure stops right here; a quarter into the photobook and you’ve had all your bikini fanservice. Shots switch from black and white to color every now and then, but for some reason it takes away from the ambiance of the photobook. One minute Nanase is standing next to a wall in a grayscale photo, and the next she is licking an ice cream cone in a color shot. The grayscale shots would work if an entire section of the photobook is in grayscale with the next entire section in color, but that is not the case. There are plenty of shots showcasing Nanase’s legs. She wears pants in like, one or two photos, while the rest are of her in short shorts, a dress, or a bikini. Sometimes you may even see a photo or three of her butt (one shot takes up two whole pages and it is literally of her butt). Another set of photos I like include Nanase in a red dress, shining in the night of the city. I think she looks stunning in this round of photos, and of course, you see how nice her legs are. However, there are shots that don’t necessarily work, per se. There are some shots where you have to flip the book 90 degrees clockwise to look at properly, and there are some 2-page photos that are hard to see (one of them makes Nanase’s face look strange). I am also not a fan of the constant color to grayscale transitions. Overall, this is a pretty decent photobook with some fantastic shots of Nanase and just the right amount of fanservice. It is by no means a perfect photobook as there are a handful of problems with the shots and the color transitions, but by all means it is worth a pick up if you support Nishino Nanase and Nogizaka46. It is not better than Shiraishi Mai’s photobook, but it’s still solid for what it’s worth. Next up is AKB48 member Kizaki Yuria’s first photobook, Peace. This photobook was released on Kizaki Yuria’s 19th birthday, shot all over the beautiful island of Guam.
I do not know about you, but throughout this photobook, it feels as if Kizaki Yuria actually wrote in it. I know that is just printed ink, but I like how it is added so it seems as if Yuria is talking to you as you stroll along the photobook. Like the Nanase photobook, I have this vibe that you are hanging out with Yuria as you look through the book. You have a few shots of her in a school uniform, and then you’re with her helping her decide what bikini she should buy. From there you are on the beach and Yuria is on a swing. Next thing you know, you are sitting near the tide and Yuria is writing in the sand. Basically, there are plenty, and I mean PLENTY, of beach swimsuit gravure photos. It is definitely a colorful photobook, since Yuria’s bikinis keep changing every 3-4 pages…but the strengths of color are not just found in bikini gravure photos. One of my favorite set of photos includes Yuria in a graffiti-covered skatepark wearing a Dodgers tanktop. This showcases the bright and colorful nature of the photobook without Yuria in a colorful bikini. This photobook does what the Nanase photobook should have, and that’s utilize the smaller shots that take up less than half a page and put two photos in one page. Nanase’s photobook has these smaller shots but they take up one page and leave you with half a page of white space, whereas Yuria’s photobook puts two of these smaller shots in one page. I think the fanservice gets a little more, explicit, towards the half of the photobook. You have Yuria not in a bikini, but in lingerie, and it’s enough to give you a nosebleed! Even when there are smaller shots that take up about half the page, the white page blends well with the white of the sun, making Yuria seem like she is some sort of divine angel. There is even a shot of her with her covering her breasts with her back bare. For some odd reason, photos like those get me every time. Just like the photo found on the cover, why Yuria would pose like that on a weight scale is beyond me…but the beginning of the second half consists of honestly the best Yuria gravure photos I have ever seen in my lifetime. They make her look seductive while being cute at the same time with her round baby face and doll eyes and what now. There are also shots of her with a friend. I honestly do not know who it is given how her face is never shown, but it looks like Yuria is having fun with this friend of hers. It is good to see that in this photobook because you are literally with Yuria throughout the entire experience, so bringing one of her friends along is pretty cool too. Like the Nanase photobook, there are some pretty classy photos of Yuria in the night of Guam. They make her look absolutely stunning, and they are not bikini gravure shots, since you may need a break from them every so often. And yes, you do need a break from the bikini gravure every so often. For starters, the amount of bikini gravure fanservice is a little too high for some people and may turn off the female Kizaki Yuria fans (the Nanase photobook does not necessarily have this problem). The fanservice also can get a little tiresome by the end of the photobook, because you’ve seen Yuria in a bikini so many times that you won’t be taken aback by it anymore. Overall, this is a photobook that is very bright, colorful, and chock full of fanservice. A least a good 70% of the book is of Yuria in a bikini or lingerie. It is worth a purchase if you’re a fan of Kizaki Yuria or if you find her to be extremely attractive (like I do, at least somewhat). This photobook shows how stunning and cute she is. If I had to pick a favorite, I would probably go with the Yuria over Nanase. Yeah, the gravure in Yuria’s photobook did get me at times, but I think I have a thing for bright colors, since Yuria’s photobook was full of bright color photos. Nanase’s photobook was great too, but the color to grayscale transitions irked me more times than it should have. Don’t get me wrong; they are both spectacular photobooks and both of them were worth the purchase price. But if I had only enough for one book, I am probably sticking with Yuria on this one. There are plenty of photobooks I would like to take a look at. Usually I collect group photobooks such as the AKB48 Mizugi Surprise for 2014 and Nogizaka Ha, but I’m starting to look for photobooks of a single member, such as Watanabe Miyuki, Yamamoto Sayaka and Kasai Tomomi. Hopefully I can pick up a few along the way, since I heard Sayanee has a new photobook that makes her look drop dead gorgeous…but that’s a story for another day. -Nathan (L4verra) Recently AKB48’s official rival group, Nogizaka46, reached their 3rd birthday and presented their fans with a concert of a lifetime: one at the Seibu Dome in Saitama. Even though it was rather chilly during the concert, the performances were definitely enough to heat the place up!
The 7-hour concert was split into three parts with Nogizaka46 going through every song in their set list in chronological order: from “Guru Guru Curtain” all the way to their newest single, “Inochi wa Utsukushii”. The concert had all sorts of surprises, from the Nogizaka46 band performing “One Night Carnival” to Kojima Haruna making an appearance to sing “Keishasuru” from her Kojizaka46 unit. The concert also had a bevy of announcements. Nogizaka46 aired a trailer of their documentary, which will air in May, they announced their next stage, and announced a project that holds auditions for the 1st Generation members. Also, Nogizaka46 promoted all of their kenkyuusei to undergirls! They are now the 3rd group among the 48G family to no longer have kenkyuusei, with AKB48 and NMB48 being the others. The under members will also have a Live 3rd Season from April 14-19 at Zepp Tokyo. So if your oshi is a kenkyuusei-turned-undergirl or has been an undergirl for quite a while (such as my kami-oshi, Wada Maaya), you are in luck! But I have to give big ups to the Nogizaka46 girls for battling the chilling temperatures to give you, the fans, a show of a lifetime. You could even see their breath during the concert which showed you just how cold it was in the Seibu Dome. This just shows you how strong the Nogizaka46 girls are, because this was by no means an easy feat. This was an excellent way to kick off the first quarter of 2015. You go girls! -Nathan (L4verra) It’s that time again: it’s time to shuffle the senbatsu for Nogizaka’s next single! As you may have known, the last single, “Nandome no Aozora Ka?” has had the longest run at single since it was in the middle of promoting the album. The Ikuta Erika-centered single was well received for being in line with “Kimi no na wa Kibou” or “Kidzuitara Kataomoi”. Even Sashihara Rino covered it during AKB48’s Kouhaku Uta Gassen. But it’s time to move on to the next one. Who makes senbatsu this time around? This is an 18-member senbatsu, which is the biggest lineup since “Natsu no Free and Easy”. Speaking of said song, Nishino Nanase has been chosen as center once again. Joining her in the front row include some of the Nogizaka46 fan favorites, such as Shiraishi Mai, Hashimoto Nanami and Ikuta Erika. But joining Naachan in the front row is SKE48’s very own Matsui Rena. Quite possibly the most surprising reveal of the senbatsu, but not the only surprising reveal. How this senbatsu was revealed was that the second row was revealed first. The second row seems the easiest to predict, so that’s not where the suspense lies. We’re at that point where it’s near impossible to see Ikoma Rina, Fukagawa Mai or Sakurai Reika out of senbatsu, unless something happens to them (such as taking time off for schoolwork, etc.). Thus, the second row includes, Reika, Ikomachan, Maimai, Wakatsuki Yumi, and everyone’s favorite Nogizaka fisher, Akimoto Manatsu. The first and second rows are called the Jyuu Fukujin, who will get the most screen time out of the main single, much like the Kami-7 of AKB48. This leaves 8 members awaiting their name called for the last remaining spots of senbatsu. This is where some surprises took place. One thing to notice is that someone will get shuffled out of senbatsu in place of someone new. For “Nandome no Aozora Ka?”, that lucky member was Saito Chiharu. Now someone succeeds in her place, but whom? Here comes Sagara Iori, the late 2nd generation member who makes it to senbatsu; the third 2nd gen member to do so. Joining her as a 2nd gen member is Hori Miona, the only 2nd gen member to center a Nogizaka single, and the longest running senbatsu member of the 2nd gen. Other members of senbatsu have been regulars for for months, and show no signs of slowing down: Eto Misa, Takayama Kazumi and Hoshino Minami. Albeit a predictable surprise, one of the senbatsu members who fell out of Jyuu Fukujin is Matsumura Sayuri. While her scandal may have affected her status in the higher parts of senbatsu, she still made it. Some could argue that she could have dropped to undergirls, but she’s worked to erase some of the wrongdoings of that scandal. She’ll be back to a higher spot next time. The final two spots of the 3rd row were the last members to be called, and they are Ito Marika and Saito Asuka. Arguably the aces of the Nogizaka undergirls rotation since they’ve both centered undergirls songs, seeing them both shoot to senbatsu was the most surprising reveal of all. One could argue that one of them could make senbatsu while the other spot could have gone to another 2nd gen member, such as Shinuchi Mai or Terada Ranze. But Bebitan and Ash made it, leaving plenty of options for an undergirls center. Sasaki Kotoko? Inoue Sayuri? Nakamoto Himeka? The list can go on and on. But me personally, I’d like my oshimen, Wada Maaya, to center an undergirls song. That’d be pretty awesome.
There seems to be pressure riding on this single since this is the way Nogizaka46 can respond to being snubbed out of NHK Kouhaku Uta Gassen due to unfortunate circumstances. But all Nogizaka46 has to do is keep doing what they were doing a year ago, since 2014 was so successful. They’ll get in this year. What do you expect to see from this upcoming 11th single? Do you expect a powerful ballad that brings you to tears like “Kidzuitara Kataomoi”, or do you expect an upbeat, pop/rock-esque song like “Natsu no Free and Easy”? Only time will tell. But big ups to Nishino Nanase for being selected as the 11th single center! You go girl! -Written By L4verra [Nathan] |
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