 Pottya is a group of "plus-sized" idols, similar to Chubbiness (except unlike Chubbiness, Pottya's members are actually chubby). Their goal is to spread body-positivity, and so far they've been doing a great job. Their music videos are usually super low-budget, but also super cute. This latest video is no different. "Kira Kira ☆ Kuso ☆ Fantasy" features Pottya walking around and having fun on vacation in Bangkok, Thailand eating lots of food, taking lots of pictures, and even visiting a zoo. Every part of the video screams cuteness, but not in the same, often overwhelming, way other idols do. Pottya are essentially tourists, visiting a ton of different sites and taking selfies in front of everything. They then try a large variety of the local food. This includes a great segment where each member eats a bug and reacts differently. They ride elephants, shoot guns, and take pictures with this amazing thing:  The song is cute, catchy, super replayable. It has all the elements of a standard idol song, the group definitely stands out more for their image than their music. Still, I do love this song. I love Pottya in general, being everything that Chubbiness claimed to be. I hope they get a bit more recognition, especially in a market which puts so much value on being as small and skinny as possible. -Justin Pottya - Kira Kira Kuso Fantasy MV
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  Tracklist 1) Nama de Doki!! Tenshi Roli no Theme 2) Hotaru no Kaerimichi 3) Roli to Asobou 4) Bikini de Janjan Pajama ~Omoide Poi~ 5) Kibou no Yoake 6) Koi no Gururin Party 7) Wind up Slow motion 8) Namida Urikire Tara 9) Nenne 10) Roli no Hoshi he 11) Nagae ba Chance Roli Angels is an indie idol group we've talked about before at A-To-J Connections, as well as a performer at Anison USA 2016 and previously at Japan Expo LA 2015. Their full-length album, "Nama de Doki!! Tenshi Roli", is a pretty good introduction to the group if you want more than just a single to go by. The intro track "Nama de Doki!! Tenshi Roli no Theme" samples Pachelbel's Canon (which seems pretty popular with J-pop composers, actually) in possibly one of the brightest and most colorful ways I've ever heard it used. This sets the theme for the rest of the album, which stays mostly cute and hyper throughout. It's hard to pick apart individual songs, since they're all very similar, but that isn't always a bad thing. Even if there are some minor variances in instrumentation (synth vs guitars, stuff like that) the album has a tone, and it sticks to that tone. It's all super upbeat and danceable and never pretends to be anything but pure, sugary J-Pop. There is a refreshing variety of techno, electronic, and synth sounding tracks as well as tracks that could be performed using a live band due to their rock-y nature. Even with the diverse spectrum of styles on the album, they all still manage to convey the very sound and feel of idol music. A favorite would have to be "Nenne" and if you were to give it a listen you would easily know why!  The album DOES slow down a couple times, but the most notable is the closing track, "Nagae ba Chance". It's catchy, but maybe more toned-down from the rest of the album. Rather than sounding out-of-place, though, it feels like a nostalgic recap of the songs that came before. Kind of like Roli Angels is looking back and remembering the fun times and promising more to come in the future. If you're a fan of Roli Angels this album should just be a reminder of why you like them. It's fun, bouncy, and cute. If anything, the group has only improved with time and experience and we can't wait to hear more from them! -Eric/Justin Favorites: Nama de Doki!!, Bikini de janjan Pajama, Nenne, Nagae ba Chance Roli Angels Are: ROLI (Leader) LEMON SHAKE ICE Note: ICE is present on this release, but is no longer with Roli Angels. For More Information: Official Facebook: facebook.com/profile.php?id=100008476298859&fref=ts Official Twitter: twitter.com/angel_roli ROLI Twitter: twitter.com/ROLi_Angel LEMON Twitter: twitter.com/Leeeeemon_angel SHAKE Twitter: twitter.com/SHAKe_angel  On January 7th, 2016, I got a chance to go to an event called “SOLOxSOLOxSOLO@Hatsudai DOORS” which is located about 10 minutes from Shinjuku station if you use the Keio New Line. Like the event title says, it took place on an underground stage called Hatsudai DOORS. 1月7日2016年、私は京王新線で新宿駅から10分の初台で「SOLOxSOLOxSOLO@初台DOORS」というイベント行かせてもらいました。イベント名のとおり、会場は初台DOORSという地下にあるステージでした。 This particular event had 10 acts and the girls that were there all performed solo (once again referenced in the event name). There were different types of performers present and the audience was mixed with fans or “wotas” of different idols. Like my previous experience with a KOTO live at Daikanyama LOOP, the wotas switched around depending on who was performing. This meant that when it was time for KOTO’s stage, all the KOTO wotas or the “Kotora’s/Koto-ler’s” moved forward. It’s actually quite nice because the current performer’s wotas also lead the crowd and if you came to see a certain act, you can get up close to see them perform. This actually really helps me particularly as I am 4’11” and always have a hard time seeing when it comes to bigger concerts. It really makes you realize that the wota are courteous and friendly to each other even if they support different idols. このイベントは10人のアイドルがソロでライブするという形でした。（それもイベント名のとおり）色々なアイドルとそのアイドルのファンがいて、前に行ったKOTOちゃんの代官山LOOPさんでのライブと同じで、アイドルが入れ替わるごとにヲタたちも入れ替わってました。KOTOちゃんのライブのときは「ことらー」さん（KOTOちゃんファン）がしっかりと前に準備してました。一人だけの応援にきたファンたちにはいいことで、ちゃんと好きなアイドルの出番になるとちゃんと見えるのです！私の身長は150cm以下でチビなので、大きなコンサートだと見えないのですが…こういう会場で会うファンたちはとても親切で他のアイドルのファンでも仲良くって心地良かったです。
Shortly after the previous set finished (Which was an artist named SAWA, someone that collaborates and composes some of KOTO’s music.) KOTO skipped onto the stage to say hi to the crowd. She greeted everyone and had small talk before starting her live. Unlike the big idol concerts I’ve experienced before, it was actually possible for the fans to respond to her MC and have a conversation with her while she was on the stage. 前のアイドルさんのセットが終わり（そのアイドルさんがKOTOちゃんと仲良くってコラボをしているSAWAさんでした）、KOTOちゃんが軽いスキップで挨拶しながらステージに登場しました。大きなアイドルコンサートと違って、MC中はステージ上のアイドルたちと会話が可能なのです。 After a short MC, she quickly jumped into her 20 minute set. She started out with “17Android”, which is different from most of her songs because it was composed by the idol and composer, SAWA who was mentioned earlier. Owing to its origins, it’s more of a pop song with hints of electro sound. By comparison KOTO’s songs are usually much heavier in the electronic sounds. This song was made in time for her 17th birthday live, “KOTO Oneman~Genjitsutouhi na seventeen~ which she held last year on 9/25/15. The crowd warmed up as they danced along to her sharp moves and cute sweet voice. Even from a slight distance, I felt overwhelmed by the strong performance and the impact was still as much as when I saw her up close before. 短いMCのすぐ後に20分間のライブが始まりました。一番最初の曲は「17android」 という曲で、いつものKOTOちゃんの曲と違って、先ほど名前のあがったSAWAさんが作曲作詞した曲なのです。この曲は2015年の9月25日に彼女の17歳の生誕ライブ「KOTOワンマン～現実逃避なseventeen～」で初披露された曲で他の曲とはちがったポップなサウンドが入っていて、いつもよりピコピコが控えめな曲となってます。観客はKOTOちゃんの甘いかわいい歌声とキレのあるダンスにあわせて踊ってました。ちょっと遠めからもすごいインパクトとキレに圧倒されました！
She followed up this up with “Kirai Returns”, one of her recent works with Kissa Sasaki, her main producer that also has his own group, “Recoride”. The song is one of the six songs they have been releasing monthly starting in September 2014 and is the second release out of the six. This is also the second series of songs with him. The songs in this series are different stylistically from each release and as a fan it’s fun to see KOTO try new styles of music and also choreography. Her most recent release at the time “Omatsuri GALAXY” sounds like a Japanese festival song and has Japanese “soran” moves which are big movements which almost represent pulling and throwing things. The first release of the series has easy to mimic lyrics and a “parapara” style dance to it which was a popular dance style from the late 70s that including simple side steps with complex arm movements. Just like the other Kissa Sasaki produced songs, it has that unique retro electronic sound to it, reminiscent of a retro video game soundtrack or 8-bit music. To me, I feel that the song is a bit mellower than her other upbeat songs but that didn’t change how powerful and fast her performance was. 次はメインプロデューサーの佐々木喫茶さんの曲「きらいリターンズ」でした。佐々木喫茶さんは他には「レコライド」というグループもやっているお方です。この曲はKOTOちゃんと佐々木さんの6ヶ月間連続リリース第二弾の2曲目で、一曲一曲が違う曲調でとても面白いです。ファンからするといろんな歌い方や踊り方にチャレンジするKOTOちゃんが見れるのでありがたいのです！ライブに行った当時の新曲が「お祭りGALAXY」で本当にお祭りにいってソーラン節をみてる気分になれたり、連続リリース第二弾の一曲目はパラパラなどが入ってたり…佐々木喫茶さんの曲はいつもなんか懐かしいようなレトロな電子音が入ってて、まるでレトロなゲームのサウンドトラックを聞いてるようです。その中ではきらいリターンズはちょっと遅めな感じがするんですが、それでも彼女のパフォーマンスは強く、早くって、キレにはかわりありません。
Catching her breath after two songs in a row, she talked about the reason why she chose the first song, “17Android” for her setlist. She explained that since the composer of the song, SAWA, is also one of the idols in the event, she wanted to perform it there. Even in SAWA’s MC, she talked about how happy she was to see KOTO for the first time this year. The cutest part was when she described how KOTO came up to her saying “SAWA-san~ Please have these clothes that I can’t wear!” and the crowd laughed at their interaction that showed just how close they were. ハードな2曲の後に息を整えながら「17android」をなぜ今日のセトリに入れたか説明してました。SAWAさんがその日のイベントに参加していたのでセトリに入れたとのことでした。二人は仲が良くって、SAWAさんのMCでも今年初めてKOTOちゃんに会えて嬉しかったことや「SAWAさん～KOTO着れないからSAWAさんなら」と服のお下がりをもらったことを話してました。観客のみなさんが仲がよさそうな話をきいて笑ってました。 SAWA herself also has a very unique voice and her songs are fun to listen to so it’s great they get to be in the same idol events and collaborate with each other. KOTO also talked about how she had made her nails new and shiny with colorful designs and pandas. After her MC, she went straight back to two upbeat songs. The third song of her set was “Valentine’s Ballerina”. My favorite parts of the choreography for this song are when she does movements like she’s making desserts for Valentine’s but since this is KOTO’s dancing, these gestures are so intense!! One of the movements is her mixing a bowl and she REALLY mixes whatever is in that bowl very well!! It always makes me giggle when I see it and that part is my favorite to watch. With that said, you have no idea how happy I was to finally see it live! Another favorite part of mine is when she does ballerina moves, showing an elegant side to her performance, then goes straight back to her signature super sharp movements. SAWAさんもとても独特な声の持ち主で曲が楽しいし、聞きやすいです。KOTOちゃんと一緒のイベントに出演できたりコラボしててファンとしてとても嬉しいです！後はおニューのネイルにパンダを入れたこととかも話してました。MCの後にすぐまたまたハードな2曲が続きました。3曲目は「バレンタインズバレリーナ」でした。私はこの曲の振付が大好きで、キレッキレにお菓子作りしてるようなところ（ボウルをもって混ぜてる振りをしたり、何かを刻んだりしてる振りをしたり）とかバレーの動きが入ってたりして…面白いし、動くがきれいだし、表情も豊かで本当に大好きな振付です！
Her fourth, and last, song was “Otokonoko-chan”. This song is my favorite song and I could tell from the hype they had for this song that it was also a favorite of the fans. Everyone excitedly got ready as they heard the intro because there is a “parapara” section in the beginning that a lot of the fans like to follow. Besides this this song also has a chorus which has fun, easy to follow choreography as well as a cute part where the fans shout “piyo piyo!” (I personally love this part because in the song there is a chick sound and I am also a huge bird lover!) I don’t know if this has anything to do with the fact that KOTO has a bird as a pet, but if it is I think that’s very cute. The fans and KOTO synced up as they danced and cheered altogether. It was the perfect hype song to end her set with. After she finished her songs she quickly told everyone to visit her at the selling booth after the event and ran off waving goodbye. The twenty minutes went by so quickly that it made you long for more, but at the same it was a satisfying set of songs to watch her perform. その日のセットの最後の曲が「おとこのこちゃん」でした。この曲はまたまた私の大好きな曲で、すごく盛り上がる曲です。ライブでは定番の曲といってもいいぐらいほぼ毎回披露してるそうです。ファンも動きを真似たりできるので、パラパラっぽいところを一緒に踊ったり、 一緒に「ぴよぴよ！」って叫んだりします。（とくに私は鳥も大好きなので、ひよこの声みたいなのも入っててめっちゃテンションあがります）ずいぶん前の部ログでもKOTOちゃんがインコを飼ってることが書いてあって、それでぴよぴよを入れたのか、それとも佐々木喫茶さんが偶然それを歌詞したのかわかりませんが、とてもKOTOちゃんにマッチングしててかわいい曲です。最後の曲にはぴったりで盛り上がってセットは終わりました。「物販も遊びに来てね！」とファンに告知し、手を振りながら走って退場しました。20分が早すぎて物足りない気持ちにもなりましたが、セットリストが良かったので満足した気持ちにもなりました。 It’s very clear why these Kotora’s/Koto-ler’s are so passionate and try their hardest to go each one of her sets and live events. The energy in her lives is both insane and unbelievable. It’s so unbelievable that you get the feeling that you have to go see it again to make sure what you just witnessed was real! She is truly a gem within the underground idol scene and I wish I lived in Japan so I could watch her up close before she becomes bigger and begins to attract an equally bigger crowd. With her skills and charisma, I’m sure that she will gain more popularity as people find out about her and get hooked just like I was. If you have a chance to go to the Tokyo region in Japan, make sure you check KOTO’s twitter (@koccyan925) to see if she is performing anytime soon and reserve a ticket and go to as many as you can! You won’t regret it!! なぜ「ことらー」さんたちがライブに駆けつけるのかよくわかったような気がします。セトリごとに違うし、KOTOちゃんのライブに入ってる気合が半端ないし、目で確かめないとわからないものがあります。天使を見たんじゃないかと思うぐらいかわいかったし、すべてがすごかったです。日本に住んでたら成長していって人気が上昇するKOTOちゃんをライブで見守っていたいです。きっと世間に知られたらみんな魅了されると思います！東京にいくことがある人は是非KOTOちゃんのツイッター(@koccyan925)をチェックして、ライブあるかチェックして、チケットを予約して見にいってください！絶対に後悔しません！ -Tiffany Fujii For More Information: Website: kotora.tokyo Blog: ameblo.jp/hidecyobin Twitter: @koccyan925   絶叫する60度 (Zekkyousuru 60do) AKA Screaming Sixties are a punk rock idol group, backed by punk band 6% is MINE. They debuted in 2014, but there's not a lot of info available on them yet. "ONLY PLACE WE CAN CRY" is their debut single, and it is SO HARD, and SO ENERGETIC, and SO POWERFUL, we had to get it out there as soon as possible. The group is fronted by the two singers, Kai and Montero. Their vocal performance is incredible on its own, but it's made even better by the fact that they're backed by a live band. 6% is MINE is a punk cover band, but they compose roughly half of the music for Screaming Sixties. The other half is composed and produced by Vocaloid writer Nejishiki, and the influence clash between punk rock and Vocaloid is pretty clear. It sounds fantastic, kinda like hearing Babymetal for the first time. While Babymetal might surpass them technically in production quality (read: money), Screaming Sixties blow everyone out of the water with their performance ability and energy.
In the PV for "ONLY PLACE WE CAN CRY", Kai (who appears playing guitar alongside the band) and Montero blast through the song in leather and black masks, looking more punk than any idol group ever has before. The song is so energetic and in-your-face, it's hard to believe they could even be considered idols to begin with. It's pretty clear the audience is into their sound too. Screaming Sixties might be the most exciting group to debut in a long time, and I can't wait to hear what they have in store for their fans next. -Justin Screaming Sixties Is: Kai Montero (Backed by 6% is MINE. "Mysterious Masked Melodic-Core Cover Band") 絶叫する60度 with 6% is MINE - ONLY PLACE WE CAN CRY MV   Idol School is a Chinese idol unit produced by pop singer and former Morning Musume member Linlin (Qian Lin). Linlin graduated from Morning Musume in 2010, and focused on her solo career until 2015, when she started working with Idol School as their producer, and even composed their first song "Your Chapter". Idol School themselves had formed just a year earlier. "Happy Happy New Year Yeah" is Idol School's most recent single, also produced by Linlin. The song is super catchy and upbeat. It's definitely a typical idol song, but maybe not what you would expect if you were discovering this group as a Morning Musume fan. Their sound is a lot brighter, and the members have higher voices. The synths are also higher in the mix, and much bouncier than anything Morning Musume would normally do. The whole thing is just sounds really optimistic and cheery. The video itself is pretty basic in execution. The members of Idol School dance and sing, and there's an overlying Chinese New Year theme. A few of them are dressed as elderly parents or grandparents, complete with fake facial hair and grey wigs. It's a pretty cute video for a pretty cute song. With so many members though (there are eleven) it can be a little difficult to figure out who's who, especially for a new listener and with little information on them in English. I think "Happy Happy New Year Yeah" is a super cute and fun song, and Idol School are all pretty talented singers and dancers. There's really nothing negative to say here at all. -Justin Idol School - Happy New Year Yeah MV  In 2014, it was announced that popular “rebel idol” unit BiS (Brand-new idol Society) would disband at Budokan Yokohama Arena. In an effort to keep the legacy of BiS alive, manager Watanabe Junnosuke held auditions to replace the entire lineup. The group was announced in January of 2015, and the lineup was solidified a few months later. They were introduced as BiSH (Brand-new idol SHiT). BiSH was: Sen to Chihiro Chicchi, group captain (currently known as Cent Chihiro Chitti) Aina The End, a former R&B singer and member of PARALLEL Hug Me Momoko Gumi Company Yukako Love Deluxe Shortly after their first single, “Spark”, Yukako Love Deluxe left the group due to anxiety, but they went on without her. The debut album “Brand-new idol SHiT” was released shortly after to massive acclaim, blowing BiS’s Oricon chart records out of the water.  BiSH - BiSH: Hoshi ga Matataku Yoru ni MV  BiSH has become known for their over-the-top, often shocking music videos. From “BiSH: Hoshi ga Matataku Yoru ni” featuring scat and semen imagery, to “MONSTERS” where the group fights against the oppressive regime of a boot camp instructor (a callout against idol culture in general). The group is also known to be honest and open about their personal lives, holding nothing back in interviews. Hug Me writes a column in a porn magazine (starting with her VERY in-depth recollection of her first Brazilian wax) and Momoko has openly admitted to hating otaku, most idol fans, and even handshake events. Aina has gone on record about her history of being bullied in school, and even mentioned that she was homeless for a short time prior to auditioning for BiSH. It’s not just BiSH’s public image that differs from “ordinary” idol units; it’s also what happens behind-the-scenes. The members often write their own songs, and even do their own choreography. Their song lyrics aren’t usually that far off from what you would expect from idols (read: love songs) but they’ve been known to break the rules from time to time. A handful of their songs deal with the realities of life as an idol, including depression, discomfort, and anxiety. Some songs deal with loneliness or fear of getting stuck in the idol lifestyle without any future, or even sex. Their biggest single, “OTNK”, is about penises (though they try to hide it with the “official” lyrics being completely different to the actual lyrics.) According to Momoko, the lyrics are cute. BiSH - OTNK MV In 2015, BiSH picked up two new members: Lingling and Hashiyasume Atsuko. With their new 6-person lineup, they released their second full-length album “FAKE METAL JACKET”, and flew up the charts faster than ever. With the album came the announcement that they would soon be signing to avex trax, the same label which had signed BiS. Their major label debut is set to be released on May 4th, 2016.  There’s a lot to say about BiSH, but the best way is to just jump right in. They’re perfect for fans of groups like Babymetal and Ladybaby, or just for an idol fan looking for something new. Their music varies from pop to metal, and even to jazz-rock, hardcore punk, thrash, and blues rock. There’s something for almost everybody. I recommend starting with one of their singles, like “OTNK” or “MONSTERS”. The deep album tracks can get a little weird for anyone who isn’t into obscure subgenres. I’m still holding out hope for the inevitable “BiSHKaidan” album which will surely be the best idol album of all time. BiSH Is: Cent Chihiro Chitti (Captain) Aina the End Hug Me Momoko Gumi Company Lingling Hashiyasume Atsuko BiSH - MONSTERS MV  Announcing ANISON USA, a Japanese music festival in Los Angeles California! Featuring performing artists from Japan, Canada, and even California, ANISON USA will take place at the Bootleg Theater in Los Angeles on February 21, 2016! Headlining the event are three special guests from Japan. Momoi Halko is the original "Queen of Akihabara" and is famous for not only her skill as a performer, but also as a songwriter and producer! Yumi Matsuzawa is a famous anisong singer who has performed several anime theme songs including the opening theme for Martian Successor Nadesico! Lastly, Nozomi's (ex-Little Non) career has crossed into many fields including singer, DJ, artists and more! These three will be performing both days and involved in various extra events! Among the other guests are Japanese idol unit Roli Angels, a group that A-To-J Connections has covered in the past. Vandead Bakery and Ayu Star will also be coming in from Japan via the same company that is bring Roli Angels. Canadian group ALLY & SALLY will also join the lineup, along with a handful of Californian Idols, including Chii Sakurabi and Stephanie Yanez, and even a J-Rock band, Midnight Shinigami!  In addition to the main festival, there will be a VIP party at Desu-Nation in Temple City on February 20, 2016. The VIP party includes mini-concerts by the guests as well as autograph sessions, talk segments, games, and raffles. Full weekend tickets can be purchased for $25 online (or $30 at the door) Individual single-day tickets can be purchased at the door of either event for $15 Cosplayers will also be offered $5 off all at-the-door purchases.  More Information: Purchase online here: http://anisonusa.com/tickets.html Full guest list: http://anisonusa.com/guests.html Official schedule: http://anisonusa.com/index.php?id=62 Facebook event: https://www.facebook.com/events/1681345802150904/1685997691685715/ -Justin Support ANISON USA in any way you can to ensure bigger and better events in the future! ANISON USA 2016 Trailer Being a fan of idol groups, graduations are to be expected. Yet, whenever they happen, we are never prepared. The last couple years have been really challenging for Hello! Project fans with graduations, a group going on indefinite hiatus and the mastermind behind the groups having officially declared retirement.
Most recently, Morning Musume '15's 9th Generation member, Riho Sayashi, graduated on December 31st. Now, with people starting to settle down with the group as it is now, we received another piece of news thrown at us in the form of Kanon Suzuki's (also a 9th Generation member) graduation. She's been in the group for 5 years, and joined during a time that Morning Musume was suffering from lower popularity. Her youthful attitude, positive outlook and caring demeanor has completely driven her up as one of the most popular members overseas. In her official announcement, she indicated that she wants to pursue a career that involves helping others. There were no specifics made beyond that, but she did point out that doing the SATOYAMA events helped put this attitude into perspective and to make her more determined. Kanon announced that she'll be graduating at the end of this spring tour. As always, make sure all you fans out there keep supporting her, and give her your best for those of us who will see her in Texas later this month. Also, don't forget that this is the nature of Morning Musume '16. Let's keep supporting them not only in honor of Kanon, but also in the upcoming excitement of inevitable 13th generation members. Hold strong! - Teepu Official Announcement: http://helloproject.com/news/4322/ Translation of Announcement from Up-Front Link: https://www.facebook.com/notes/up-front-link/en-concerning-kanon-suzuki-from-morning-musume16/1016601485065435 |
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